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In Jane Schoenbrun’s Blood-Soaked World, Intimacy Is the Greatest Horror

In Jane Schoenbrun’s Blood-Soaked World, Intimacy Is the Greatest Horror
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In Jane Schoenbrun’s filmography to date, characters have touched screens more than each other.In both We’re All Going to the World’s Fair and I Saw the TV Glow, the hazy specter of computer monitors and boxy CRTs serve as fantastical portals with the capacity to both trap and transform their behold

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